This setting specifies whether Next slot mode is activated by default. If this is attempted, the previous mapping is removed. When this setting is enabled, the MIDI note learn wizard does not allow the same key to be mapped to more than 1 articulation. This setting determines whether Wait mode is activated by default. These settings control the behaviour of the MIDI Learn wizard in the Kit display.
With this setting activated, attempting to map a slot Choke articulation to a key already containing other articulations results in a warning and request for confirmation. This setting applies only to the vertical keyboard representation in the Key Map panel - with the setting deactivated, the keyboard is inverted - the highest note is at the bottom rather than the top. With this setting activated, the Program Change Playlist's numbering starts from 0 rather than from 1. With this setting activated, MIDI note numbers between 0 and 127 are used instead of note/octave naming in the form of C-2, C-1, C0, C1 etc.
This setting can be specified using the Main Host Application item in the BFD3 Setup Wizard. This setting allows you to set the note numbering convention according to your own preference. StopRank.Some sequencers and MIDI controller devices use an octave numbering system which begins at C-2, rather than C0, while others use C-1 as the lowest key. PCF wrote:(ii) From c0, samples taken from a Trompette 8: the new composite will be a 16' stop), off the top of my head, I would think you could try something like the following (with differences to your settings highlighted in bold): PCF wrote:(i) 12 lowest samples (C-B) taken from the Pedal Posaune 16:Īssuming that you want the whole of your new composite stop to play with a pitch of 16' (i.e. Thus MIDI note number 48 uses sample Trompette 8/026-D.wav if I use samples two scales smaller.
Rank.Pitch_RankBaseOutputPitch64ftHarmonicNum = 8 ( Rank.Samples_MIDINoteNumIncrementFromPipesToSamples = -22 (ii) From c0, samples taken from a Trompette 8: Thus MIDI note number 36 uses sample Posaune 16/026-D.wav if I use samples two scales smaller. StopRank.MIDINoteNumOfFirstMappedDivisionKey = 36 StopRank.MIDINoteNumIncrementFromDivisionToRank = 0 Rank.Pitch_RankBaseOutputPitch64ftHarmonicNum = 4 Rank.Samples_RankBasePitch64ftHarmNumIfAssumedTunedToConcertPitch = 0 Rank.Samples_MIDINoteNumIncrementFromPipesToSamples = -10 (i) 12 lowest samples (C-B) taken from the Pedal Posaune 16: Problem: With my current settings (below), consecutive numbering (and samples) is correct, Part (i) sounds the correct pitch, but Part (ii) sounds an octave too high: I don't want any pitch stretching to occur, thus keeping the different ranks in their original state. Note that the samples of the sample set start at 024-C.wav (024 is very roughly around 65 Hz), and not 036-C.wav. Thus (i) will start at 36 and (ii) will continue from 48 to 103. Furthermore, I want the Pipe_SoundEngine01.NormalMIDINoteNumber (once converted to ODF) for the stop to run consecutively from MIDI note numbers 36 to 103 (68 pipes). I would also like to decrease the scale by two pipes/samples. I want to create a "composite" stop (e.g., Trompette 16 on a Swell) consisting of two separate ranks (using two StopRank objects): (i) the lowest 12 pipes (C-B) taken from the Pedal Posaune 16 pipes (notes 024-C.wav to 035-B.wav, and (ii) starting from c0, pipes taken from a Trompette 8 rank that should sound an octave lower (thus c0 = 024-C.wav).